Wednesday, October 1, 2008

Help tell the story!

James Nachtwey is perhpas the greatest photojournalist of our time - he has covered countless wars, famines, and epidemics in order to raise the world's awareness of global issues through imagery. James was awarded a Ted Prize (Ted.com, TedPrize.org) which allows its recipient “one wish to change the world.”

James wish was this, “I’m working on a story that the world needs to know about. I wish for you to help me break it, in a way that provides spectacular proof of the power of news photography in the digital age.”

This from Tedprize.org, "James Nachtwey is preparing to reveal his photographs, which highlight a shocking and underreported global crisis. Over the past 18 months, the TED community have been working with James to gain access to locations he wished to photograph, and to prepare spectacular plans for unveiling these pictures."

You can help him tell the story on October 3rd. Simply click on the X below to learn more, and do yourself a favor - sit down for twenty minutes and watch this video.





PEACE to you all!

Thursday, September 25, 2008

New site!

OK, I have been nitpicking over this thing for way to long and have finally posted my new site:

ryanchahanovich.com

The new site is not a photo portfolio, but more of a feature of my creative professional services. Please give the site a look and let me know what you think. If for any reason it returns you to this blog it is because I just updated the DNS last night, and that can take up to 48 hours take effect, so just try again later. Thanks!

PEACE to you all!

Wednesday, September 24, 2008

Years feel like minutes.

The lovely Magera Moon and I celebrated our two year anniversary last night by riding down to Ocean Beach and having a bonfire for two. After a bottle of Sake and some quality fire time, we had some fun and took a few test long exposure shots. Nothing fantastic, mostly just getting a sense of light and exposure for a few ideas rattling around upstairs. The results, at first were quite dissapointing, but I think I know what needs to be done...




PEACE to you all!

Friday, September 19, 2008

Prepare to be amazed!

So I spend a lot of time at the Rayko photo center developing and printing my work. Yesterday, as I was washing a few prints and preparing to head home I noticed one of the most amazing images I had ever seen. I was in total disbelief that an image so beatiful was even possible, I mean WOW! Turns out the creator is a woman named Susan Sims-Hillbrand, I spoke with her a bit (after asking a few people if the print belonged to them!) and continued oogling over the piece.

Really, my head is swirling. I have been literally dreaming about similar images and filling the pages of my notebook with mockups of long exposure portraits full of depth and creative imagery. Seeing just one of her images filled me with such a spark of creative hope and confidence at the shear possibilities of light and film that I can hardly contain myself.

I am not going to post any of her images, rather I will send you to her website (which I spent hours on last night) so that you can enjoy the work for yourself.

The work of Susan Sims-Hillbrand

BTW, the piece that (almost literally) blew my mind is the last image in the Penlight 2006-2008 set. Enjoy!

PEACE to you all!

Wednesday, September 17, 2008

KTU

The name is certainly a fitting title for these guys, as they generate a sound that is mountainous and awe inspiring. KTU is made up of heavyweight musicians Pat Mastelotto (King Crimson, XTC), Trey Gunn (King Crimson, John Paul Jones), and the Finnish virtuoso accordionist extraordinaire Kimmo Pohjonen.

Check out this vid of KTU tearing it up with their tune Absinth live in Sines, Portugal. You may notice a fourth member in the video, that is Sammuli. He is unfortunately no longer with the band, but is playing full time with the band Müm.



At about four minutes Trey kicks into a pretty incredible solo on his Warr guitar (touch sensitive guitar/bass), but if you notice the bass line is still going. Pat, while on drums has a loop of Trey's bass line loaded into a sampler which he fires off on the downbeat. Man, it blows my mind how good these guys are!

Unfortunately KTU have only done about 6 shows in the states, and I am not sure if they have plans for more in the future. They are working on an album now, and hopefully an international tour to follow. In the meantime, go pickup their live album from Amazon and prepare to be blown away...

PEACE to you all!

Friday, September 5, 2008

Magic Jeff

Again, same rules of the last post apply - NO PHOTOSHOP, non composite, and single exposure for both of these.



PEACE to you all!

Wednesday, September 3, 2008

Green JB

Though these images are digital, they are unedited. They are not composite images and were created using only a single exposure, some creative flash, good timing, and a little choreography.




PEACE to you all.

Tuesday, September 2, 2008

Grinders = Sub Sandwich

Magera and I just got back from Connecticut, we were flown out there to shoot some photos - more on that later though. For now I must get some sleep.




PEACE to you all!

Sunday, August 24, 2008

Controllerism by Moldover

So, last night I dusted the cobwebs of my digital camera (that can almost be taken literally) and went down to the DNA Lounge for the bi-monthly BOOTIE SF mashup party. Not normally my bag I know, but I was shooting a very interesting DJ. You have heard of turntablism? Well, Moldover is all about Controllerism. He uses hacked controllers to digitally mash up and mix tracks live and on the fly. Really cool shit I must say, and he was awesome - lightning fast hands.

Here is a rad little clip MTV produced for Moldover called the How To Show on how to build your own hacked controller, followed by a few shots from last nights gig at BOOTIE.







PEACE to you all!

Monday, August 18, 2008

Develop your own film.

Developing your own black and white film at home is not nearly as hard as you would think, and it is not very expensive either. Getting all of your materials costs right around $50, and chemistry is uber cheap.

FIrst I would like to mention that if you are very serious about developing your own film, I recommend you take a class at your local community college, photo lab, or dark room co-op. The process is simple once you have some practice,but while you are first learning it is best to work with someone who knows what they are doing, just so you don't ruin any film.

So - first thing you need to do is collect your materials. Either go to your local pro phot shop, or order online. WHen it comes to physical supply, here is what you need:




1. Plastic graduated beaker (at least 1000mL/1L)
2. Funnels (I recommend one for each chemical)
3. Photographic thermometer
4. Film canister/shaker
5. Film spools (35mm or 120)
6. Something to mix your chemistry
7. Can Opener (not pictured)
8. Scissors (not pictured)
9. Bottles for chemistry
10. An accurate, big display timing device (I use my phone)



Again, you can pick up everything you need for right around $50, a small fee for having everything you need to develop your own film. Now - you need your chemistry. I use Kodak products, because that is what I know and like, and I also do not use a stop bath. Chemistry is extremely cheap, and really your only recurring cost (aside from your time). What you need:

1. D-76 Developer
2. Fixer
3. Photo Flo



D76 and FIxer are about $4 each, and make a litre per bag. Photo Flo, you will probably only need to buy once in your life, and it is only about $8.

Let's get to work. First thing you need to do is mix your chemistry. The directions for each are on the bag, basically you mix an entire bag with 800mL of water, then add 200mL for a total of one liter. Once your chemistry is mixed, pour it into it's container and make sure to label the bottle.


Now this is the part that takes a lot of practice, and why I recommend you take a class or get instruction. You need to transfer the film from it's container and transfer it to the film spool, then drop the spool into the film shaker. If you are loading 35mm, you need a can opener to pry open the container then some scissors to snip the end of the film. If you are loading 120, you need to separate the paper backing from the film itself. The tricky part here, is this needs to be done in total darkness! I did this in my extremely spooky basement, ghost noises and all.




Once your loaded spool is in the canister, you can turn the lights back on, because the canister does not let any light in. Make sure to check your development chart for how long to develop and wether or not to dilute. Pour your D76 in (pure or diluted 1:1) then shake the canister for the first two minutes, followed by ten seconds for each minute remaining.


I don't use a stop bath when developing film, instead I use water just to use less chemistry. So, I pour out the D76 developer and let water run into the canister for a few minutes, shaking the canister several times. Next comes the Fixer, which is not to be dilluted. Pour in your fixer and set your timer anywhere between 3 and 5 minutes, shaking the canister for the first 30 seconds then again for 10 seconds each additional minute.



Once the timer dings, don't just pour out your fixer - put it back in it's container as it can be used multiple times. You can now take the cap of of your film canister/shaker, as all the silver is now set and no longer light sensitive. You can even unwind the film a little bit off the spool and se the first few frames in the roll (I LOVE doing that). What I do from here, because I don't have a film washer, is I place my graduated beaker under the sink and turn the water on low. Drop the film spool in the beaker and set your timer for ten minutes. At the end of ten minutes, pour about half a cap full of the photo flo into the beaker and let it sit for a minute. Photo flo helps to prevent water spots.



Almost done! your film now needs to dry for about 3-4 hours, so make sure you are hanging it somewhere that does not have a fan or kick up much dust. I took a small plank of wood, and nailed a few clamps a few inches a part, then just hung the platform in my closet.



That is it, you have now developed your own film!

For a more in depth and technical tutorial (minus the images), check out The Dark Room Source.

PEACE to you all!

We rule.

Public transpo mirror fun on the 33 and the F.




PEACE to you all.

Sunday, August 17, 2008

Thrift store score.

Magera and I were scouring the Mission's thrift stores today, and I was lucky enough to score a nice find. Behold the Petri Color 35E. The camera was manufactured between 1968 and 1977, and is considered to be one of the greatest compact 35mm cameras ever made.



I must say this thing is solid and well constructed. After more than thirty years the camera shows almost no signs of wear. I am going to take it into Gasser's to get it looked over and pick up a new battery.

This is a cool screengrab from the original manual.


Image credits: Camera Manuals and Camera Quest.

PEACE to you all.

Saturday, August 16, 2008

Dark room tutorial.

You would be surprised how cheap and easy (not to mention gratifying) that developing your own black and white film at home can be. I am going to be putting together over the next day or two a tutorial on how to develop your own work, here is a sneak preview:



PEACE. to you all.

Thursday, August 14, 2008

A photogs paradise.

If you are a photographer and you shoot a lot of film - then San Francisco is your city. Of course the city, and for that matter the entire Bay Area, is totally beautiful and photogenic. But what makes the city so fantastic are the photographic facilities, Newlab, Rayko, Photo Epicenter (Hamburger Eyes), and so much more.

I have taken a liking to Photo Epicenter, which also serves as the home of the Hamburger Eyes photo zine (check it out). The facility has a few enlarger rooms for both color and B/W, a few scanners, and a gallery space.. I bought a package of hours and spent the better part of the night scanning some negatives, unfortunately I am not super happy with the results. The sleaves that hold the negatives don't allow you to scan the whole frame, but I have a feeling that I can just put the negatives on the glass and get the full scan I am looking for.

Here are a few scans from last night.





PEACE to you all!

Saturday, August 9, 2008

I am alive, and still making images!!!

I think it is just hitting me that I have been on the road now for two months, both Magera and I living out of our suitcases and crashing with friends and family. We spent the entire month of June in Hawaii, which buzzed by WAY to fast. Then, from there we flew to San Francisco to spend a week and try to find a place - which we accomplished. From there it was off to Austin to stay for two weeks at the Co-Op. After two weeks in Texas it was time for a road trip, so Magera, our friend Camilla and I hopped into our whip (UHAUL) and drove across country, taking our time and hanging out in Santa Fe and Phoenix.

But now, we are home. Nestled into a lovely brownstone chock full of history right smack in the middle of San Francisco's coolest neighborhood, the Haight.

So many stories to tell from this past two months, and so many images! I think a fundamental change has occurred in me in the way that I create images. I no longer see an image as a string of 1's and 0's, the photograph is now to me a very physical thing. Negatives and prints filling up boxes and notebooks, tangible items that can be handed down for generations, not just a few integers on a memory card. While we were in Austin I spent every night in the darkroom often working myself into exhaustion during the wee hours of the morning developing film, making contact sheets, and making prints. I would spend hours crafting a single image - really making a truly personal connection with it, not just moving a few sliders with the mouse.

Aside from the rant here are a few images from the light table. The quality is poor, as I just laid down a few slide negatives onto the table and snapped a few pics (yes, with the digital, HA!). These shots were all from Hawaii, if you look closely at the second one (the jellyfish shots), you can see one of digital's major downfalls - the inability to handle absolute color. When I was shooting a lot of live music, I would always run into this problem when the stage lighting would be purely red, blue, orange or purple.

Anyways, I have about 20 more rolls from Hawaii, Austin, San Francisco and the road trip that still need to be processed, hopefully I will be purchasing a scanner soon and posting some images.



PEACE to you all!

Wednesday, July 23, 2008

Sheet music.

As if Deerhoof wasn't cool enough, check this out.



A rad live clip.



PEACE to you all!

Monday, July 21, 2008

Jumping ship

Well, goodbye iTunes music store - hello Amazon. I guess what really made my decision for me was the DRM (Digital Rights Management), iTunes places all sorts of restrictions on music you purchase - only 5 machines/devices can be authorized to play your music at any given time and you can only burn it to cd 7 times (not to mention it ONLY works with their hardware). There are ways around the DRM, but it's a total hassle. Amazon however is DRM free, meaning that whatever I buy is mine and I can do whatever the hell I want with it, and as a consumer that is what I want. I must admit, the iTunes interface, catalog selection, and ease of use is far superior but the DRM has became a deal breaker. Whenever I want to make a muxtape, or include songs that I have purchased into a podcast I have to burn it to CD and reimport, this is a pain in my ass and just wasteful. My music, I do what I want with it.

PEACE to you all!

Wednesday, July 16, 2008

Welcome back, Zach!

I have been waiting for this day for a long time, and finally it has come. Mr Zach de le Rocha is back in full force, and with good company. One Day As A Lion is the the result of the collaboration between two of my favorite musicians in the world, Zach (Rage Against the Machine, DUH!) and Jon Theodore (The Mars Volta). Zach lays it down on vocals and keyboard while Jon kills it on the kit. The drum grooves seem deceptively simple at first, kick snare hat style, but as the song (Wild International) progresses Jon flashes his brilliance with some killer fills that are lightning fast and ferociously tight, so good!

Just hearing Zach's voice again takes me back to my formative early teen years stuck in suburban hell. His ferocity, flow, and poetic brilliance opened my eyes to the struggles of the world's peoples and helped break me out my protected little world-view.

Aside from being one of my dream duo's, they also got their name from an iconic black and white photo - how cool is that? This from their website:

“The name taken from the infamous 1970 black and white, captured by legendary Chicano photographer George Rodriguez featuring a center framed tag on a white wall in an unspecified section of Boyle Heights. It reads: ‘It’s better to live one day as a lion, than a thousand years as a lamb.’ This record is a stripped down attempt to realize this sentiment in sound.”

Well said. Now - go to their myspace page and listen to Wild International!

Photo credit unknown... :(

PEACE to you all.

Saturday, July 12, 2008

Nels Cline at Stubbs

If you are in Austin tomorrow night - then you have a rare opportunity to witness a true guitar legend of our time WAIL up close and personal at Stubbs inside!

Shame on you if you don't go - especially when the cover is only $13. In case you haven't heard, aside from myriad other amazing projects - Nels is currently the guitarist in a little band called Wilco.

Sunday 7/13, Stubbs Inside, 8:00PM, $13

Image by Charles Harris

PEACE to you all!

Friday, July 11, 2008

Dungen

One of my favorite bands, Dungen, is set to release a new album (aptly titled "4") in the coming months. YEAH!

They are streaming a new tune from their myspace entitled Satt Att Se, check it out HERE.

PEACE to you all!